By Catherine Dilts
Eight years ago I received a helpful bit of writing advice. A multi-published author recommended having a minimum of three projects going at a time.
If you’re struggling to complete a story, this may sound like bad advice. Juggling multiple stories can become an avoidance technique.
Writing the beginning of a story involves one type of brainstorming. Endings are a different game altogether. If you’ve never completed a short story or novel, push everything else aside until you get a rough draft finished. Only then will you have an ingrained roadmap required for simultaneous creative trips.
Why should you try working multiple projects?
The Simmering Pot stage:
Let’s presume you have finished a short story or novel. It may be a very rough first draft, or you may plan to submit it soon to a magazine or agent.
- Set that story aside for a week. Even a month. When you come back to it, you will see it in a more objective light. Everything from typos to plot holes will jump out at you.
- While that completed draft is resting, begin a new project. Those creative juices tend to stagnate if not kept flowing.
- You start working, and an idea occurs about the first project. Like a pot on the stove, you set it aside to simmer, but find yourself returning to stir frequently. Resist the urge to do major editing. Instead, jot down your thoughts on a sticky note, in the margins of your manuscript, or in red in the electronic file.
- Return to the second project, slamming out a hasty draft. When that’s roughed out, step things up by jotting notes for a third story. Only then do you return to polish the first story.
The Shifting Priorities stage:
When you have three stories going at once, you can allocate attention to the project that best suits your mood or time constraints. You do not work on all three stories every day, or even every month. You can focus on one story at a time. The point is, if you get stuck creatively or time-wise, you have something else waiting for your attention.
- Marathons – You may require stretches of uninterrupted time to plot. Maybe you get bogged down in character development or research. Final edits may be when you most need several continuous hours to work. Save your longer writing sessions to do this work.
- Sprints – Work or family obligations make it impossible to get in a good brainstorming session. When you have three stories going at once, one may be at a stage where you can effectively work in fits and starts. There are points in my short story process where it makes sense to carry a manuscript around, jotting notes as they occur to me.
- Passion – One story jumps to life, consuming you. Focus on that tale until the fire wanes. Remember though, writing isn’t all about the Muse inspiring you with intense creative bursts. Be ready to put in the plodding along hours, too.
- You get a nibble. A request to send chapters to an editor. You can drop the other two projects to work on the one most likely to get a contract.
The main reasons I like having multiple projects going:
- Your pace of production will increase when you juggle multiple writing projects. Once a project is completed, and pushed out of your creative queue, start another to take its place.
- You won’t experience blank page syndrome, that empty feeling when a story is finally really finished. Instead, you’ll pick up a work-in-progress and hit the ground running.
- When a story is with an editor or agent, you won’t be as anxious waiting for a response if you’re working on other projects.
- When an agent asks “what else have you got,” you have an answer.
You may have experienced writer’s block. Sometimes, setting a story aside can get you “unstuck.” The danger is that you’ll never get back to that story, or writing in general. You don’t want that to happen.
Nor do you want to skitter from unfinished story to story like a frog hopping across a pond. Or like that aunt with a sewing room jammed with piles of fabrics in various states of un-done-ness, jutting pins and fraying edges a testament to procrastination. Finish your projects – unless one proves to be totally unworkable. I have several completed novels and short stories that will never see the light of day, but finishing them taught me valuable lessons.
The friend who gave me the three project rule is a short story author. I write both short fiction and novels. This technique works juggling a mix of long and short fiction. A short story may cycle through the queue faster, while a novel may work slowly through the process, but it still keeps my production high.
Give it a try. You may find yourself turning out more stories, and at a faster pace.
Catherine Dilts is the author of the Rock Shop Mystery series, while her short stories appear regularly in Alfred Hitchcock Mystery Magazine. She takes a turn in the multi-author cozy mystery series Secrets of the Castleton Manor Library with two novels, Ink Or Swim and A Thorny Plot. Working in the world of hazardous substances regulation, Catherine’s stories often have environmental or factory-based themes. Others reflect her love of the Colorado mountains. The two worlds collide in the humorous mystery novel Survive Or Die. You can learn more about Catherine’s fiction at http://www.catherinedilts.com/